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Rachel McAdams

Bigger, Badder

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You hear a lot of complaining, and rightly so, about Hollywood's tendency to churn out safe, unimaginative pabulum--the remakes, the sequels, the blow-everything-up movies. Less remarked upon is the opposite problem: The studios' inability (or unwillingness) to make B+ movies, competent, mid-sized genre films that are formulaic in the good sense. There was a time when Hollywood excelled at producing such solid but unexceptional fare--Westerns are the classic example--but no longer.

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Girls, Girls, Girls!

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"Cutting social commentary"; "acutely hilarious sociology"; "a harbinger of hope ... for future feminist comedies." These were some of the peculiar accolades bestowed upon the movie Mean Girls when it opened in theaters. Why did critics accord it such stature?

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